Vengeancia (updated Feb. 2016) When Paul McCartney was recently awarded a lifetime-achievement by bankster-controlled puppet, President Obama, no one mentioned that he may, in fact, have died years ago—and been replaced by a double. According to Tru, “it’s all part of an elaborate conspiracy theory that some music buffs have kept alive since Paul’s alleged accidental death in 1966.” Hey, by the way, check out Jay’s Analysis of the film, The Prestige (2006).
“Egyptian mythology & symbolism is so thoroughly embedded in the work of The Beatles, that it’s not only hard to know where to start, but also hard to get to it all.” Meet the Scarabs, here; The Music Industry Exposed, here. Check out Conscious Reporter. “The Beatles were an Illuminati creation. Their songs were written for them and handlers scripted their actions and words. They demonstrate that popular culture is really mind control.” Henry Makow. For background, consider the year 1966. Then, recall the Cestui Que Vie Act, 1666. Perhaps there is a connection? Be sure to read, Just Ask Robert De Niro: The Achilles Heel is “You” here. Read Voodoo Dolls of the Elite.
This article is just scratching the surface. I’ll have to spend more time exploring all of these ideas. But in light of the tragic false flag shooting events in Colorado and Wisconsin, time is of the essence. I want to get folks started thinking in this direction so that you can uncover more clues that will lead you to discover the truth about the New World Order conspiracy. Tell your friends and family. I realize it’s hard to wake people up, but we have to try.
Is it possible to view the Abbey Road image and other clues to Paul’s alleged death in view of another conspiracy theory, the so-called “Strawman” conspiracy theory?
Is it possible that the gruesome imagery on the Beatles’ album, Yesterday and Today, foreshadows the Elite’s eugenics programs, including aborting millions of babies?
Is it possible that their Sgt. Pepper’s album foreshadows the false flag events of September 11, 2001? Could it be that, with their increasing fame and connections, the Beatles had come to be “illuminated” regarding the Elite’s plans and means through which they seek to establish their New World Order? Or worse, were some of these men subjected to MK Ultra mind control?
“In October of 1969, three weeks after the Beatles’ celebrated Abbey Road album was released, WKNR-FM’s Russ Gibb took a call from a man who identified himself only as “Tom.” The Detroit deejay listened as the caller carefully laid out clues hidden in Beatles’ songs and album art, which he said indicated Paul McCartney had died on November 9, 1966, in an automobile accident. Listeners began deluging New York City radio stations with “evidence” and soon the rumor spread around the world. Was this a Beatles’ publicity stunt, a fan feeding-frenzy fueled by clues left as an inside joke by John Lennon—or was Paul really dead?” More at Tru.
Or could it be that the phone call was a plant of disinformation in order to throw truth seekers off on a tangent, away from the real meaning of the hidden messages in the Beatles’ music and art? Could it be the Beatles’ were attempting to communicate the Strawman conspiracy as well as upcoming false flag attacks in America and around the world?
What happens if the REAL MAN’s energy is transferred into the STRAWMAN? He becomes the DEAD MAN. It’s all part of the The Crown’s game! James Cameron’s film, Avatar (2009), provides, perhaps, one of the best examples of how this deception is accomplished by our elite plantation owners. I explore this film and many others in my 4-part work, Burning the Beekeeper, here.
According to Wikipedia, the front cover design is based on a photograph of the Beatles traversing a zebra crossing. Is there significance to the black and white alternating pattern that the Elite seem to use all over the place? You can see it at the new Federal Reserve building.
The idea is from sketches by Paul McCartney and taken on the 8th of August, 1969, outside EMI Studios on Abbey Road. At around 11:30 that morning, photographer Iain Macmillan was given only ten minutes to take the photo whilst he stood on a step-ladder and a policeman held up the traffic.
In the scene, the group walk across the street in single file from left to right, with Lennon leading, followed by Starr, McCartney, and Harrison. McCartney is barefoot. According to Mary Elizabeth Croft, in Who’s Who in Court and What to Say, “each Cestui Que Vie Trust, created since 1933, represents one of the 3 Crowns representing the three claims of property of the Roman Cult:
Real Property (on Earth), Personal Property (body), and Ecclesiastical Property (soul).
Each corresponds exactly to the three forms of law available to the Galla of the BAR Courts: corporate commercial law (judge is the ‘landlord’/D.C.), maritime and canon law (judge is the banker/London), and Talmudic law (judge is the priest/Vatican).” Check out the film, Empire of the Cities. Read I’m the Legal Fiction Baby, I Don’t Exist.
“All licensed Bar Attorneys in the U.S. owe their allegiance and give their solemn oath in pledge to the Crown Temple, realizing this or not. This is simply due to the fact that all Bar Associations throughout the world are signatories and franchises to the international Bar Association located at the Inns of Court at Crown Temple, which are physically located at Chancery Lane behind Fleet Street in London. Although they vehemently deny it, all Bar Associations in the U.S., such as the American Bar Association, the Florida Bar, or California Bar Association, are franchises to the Crown.” Read more.
To the left of the picture, parked next to the zebra crossing, is a white Volkswagen Beetle motor-car which belonged to one of the people living in the block of flats across from the recording studio. To the right is a police vehicle, the type used to carry people to the morgue.
So, we have the symbol of the people’s vehicle, the Volkswagon, on the left and the symbol of the New World Order’s vehicle, the Police wagon, on the right. “Sitting at a restaurant table in Munich in the summer of 1932, Hitler designed the prototype for what would become the immensely successful Beetle design for Volkswagen (literally, the “car of the people”).
In an era where only the most economic elite possessed cars, Hitler believed that all people should be able to own a car and additionally thought that a smart design could allow for reliability, enjoyment, and vacation travel.” Wow….what a nice guy, huh? Read more about Hitler artifacts. Also read more at Project Avalon here.
The image of the Beatles on the crossing has become one of the most famous and imitated in recording history. The crossing is a popular destination for Beatles fans and there is a webcam featuring it.
Perhaps the Beatles created the first interactive design to be followed by yet more and more gruesome examples of how the Elite plan to design a society in which life imitates sick art, such as the American people witnessed recently with the false flag event in Aurora Colorado blamed on mind-controlled patsy James Holmes? Read more about the interactive exhibits at the Cell Terror Museum in Denver.
Perhaps many musicians and creative people in those days were “waking up” to the New World Order Conspiracy? Once you start looking for it, you realize that it’s everywhere, hidden in plain site, as they say. As Ray Davies crooned in 1972 in the song, Celluloid Heroes:
Everybody’s a dreamer
Everybody’s a star
Everybody’s in movies
It doesn’t matter who you are
And those who are successful
Be always on your guard
Success walks hand in hand with failure
Along Hollywood Boulevard
Does the group’s album, Sgt. Pepper’s Lonely Hearts Club Band, also offer clues to these conspiracy theories, hidden in plain site? According to Tru, “The Beatles, wearing their new hippy attire, stand in the middle of the cover overlooking what appears to be a flower-covered grave.” Could this grave motif symbolize America and the Western world? To their right are wax mannequins—borrowed from Madame Tussaud’s Wax Museum—of the younger Beatles sadly looking down toward the ‘grave.’ ” One can find the Satanist, Aleister Crowley, at the top left hand corner of the album cover.
According to Tru, “The ornate drumhead in the center of the cover that says “Sgt. Peppers Lonely Hearts Club Band” may be the most deliberate clue of all. When you hold a straight-edge mirror perpendicular to the center of the drum, in the middle of the words “Lonely Hearts,” the reflection reads, I ONE IX HE ♦ DIE (“One one nine he die,” or November 9 he die). The diamond points to McCartney.”
Or could it be instead that this reference to 911 reveals the Beatles’ foreknowledge regarding the tragic events of the false flag in New York on September 11, 2001?
“I venture to suggest that all of the individuals present on the cover of Sgt. Peppermind control mass manipulation operated through puppet politician actors, film stars, etc. and it is no coincidence that Aleister Crowley is present. The cultural control of populations by means of fabricated and coached celebrities is an operation which predates the twentieth century. Many have been participants in the Tavistock MK-Ultra.
“After examination of the List of images on the cover, it seems that it isn’t so far fetched that those on the Sgt Pepper jacket were probably participants in Mass Mind Control through celebrities.” Read more.
Conspiracy lore says that in 1980, John Lennon was about to make public the “cover-up of Paul’s death” when he was assassinated by Mark David Chapman—and that Chapman was hypnotized and conditioned to kill Lennon by MI5 agent, Maxwell, whom the Beatles discussed in their song, Maxwell’s Silver Hammer?
These have a been a few thoughts to get you started thinking about these ideas. In the meantime, we can get started fixin’ the planet by following a few words of wisdom from Michael Jackson.